REVIEWS

back
舞蹈

惦‧奠

平均心等
11110
查看演出內容

朱利安

2014/09/02 19:30

點閱率:345

11110

Easily the most abstract and inspiring work I’ve seen to date, it’s really quite a shame there were only two performances. The performers: a troupe of young women from Southern Taiwan, many of whom relied on their own finances to make this Fringe experience come to fruition.

The choreography combined equal parts environmental theatre and interpretive dance with performers occasionally traveling through or embracing the audience between freeform dance segments. On the surface the concept seemed to thematically deconstruct the relationships we maintain with those primitive, guiltless, and weightless forms of existence from which we were born, vis-à-vis the evolved, weighty, and multidimensional lives we live now. However, as became evident during the 10 minute Q&A session after the performance, it was simultaneously a highly personal and genuinely honest expression of life for each performer.

It was communicated through glowing bottles, a conservatively lit stage, and unrestrained dance. This was the realisation of their dream, of this portion of their lives; and sitting in the audience was all that was required to participate and understand.

演出場地:松山文創園區巴洛克花園

貧窮男

2014/09/01 19:30

點閱率:357

11110

演出前半小時舞者已經Preset在蚊子很多的松煙巴洛克花園,觀眾逐漸入場後,有幾隻打扮成猴子造型的舞者,在座位間流竄,有打扮成乞丐的舞者,托缽在座位間尋求樂捐。

第一個舞碼的戲劇性就很高,幾隻猴子排成一列宛如猴子進化成人類的演進圖,戶外的場地,是那種撲倒就會有皮肉傷的水泥地,猴子穿著可愛的猴子襪(鞋),舞台另一邊穿著高跟鞋連身裙珠光寶氣的角色設定,立刻將乞丐搖身裝扮成貴婦。第二支舞,穿著球鞋的舞者展現青春活力,對比著第三支作品有著告別式般的沈重哀傷。

編舞者駕馭群舞的能力非常好,不論在戲劇性元素的運用,CUE點的設計,橘與綠的顏色安排,都展現年輕活潑的趣味,我想因為因應戶外的水泥地,編舞的可能性可能因此受限,但仍然運用了球鞋表現了青春活力,高跟鞋或猴子鞋展現其戲劇性。

演出場地:松山文創園區巴洛克花園

go top